Rachel Wang

Editor in chief Medhini Mankale ’23 and photography editor Rachel Wang ’23 explain why We Are Lady Parts is the one show you should binge this semester. The comedy series follows an all-female Muslim punk band as they prepare and audition for a battle of the bands competition, with plenty of witty banter and jokes along the way.

Monday marked the end of Asian American and Pacific Islander Heritage Month. As young Asian-Americans, we wanted to examine the role of Asians in America: how we came to this country, how we lived, and how we can move forward as a group, particularly in today’s social climate.

Enjoy this brief gallery of a breathtaking walk, titled “Ice Me Out,” from this year’s BSA Fashion Show in anticipation of our upcoming in-depth article. The walk expressed two sides of luxe: opulent, glittery fabrics mixed with edgy streetwear looks and silhouettes.

Keeping in line with our change to online-first journalism, The Polytechnic now has a regularly updated social media presence and a department dedicated to promoting our content.

A few days ago, for the first time since starting college, I sat down and played with colorful makeup—one of my favorite art forms. Tinkering with different textures and colors, I was transported from my suffocatingly warm dorm to a meditative state where I felt stress-free for the first time since arriving on campus.

The avant-garde Turkish dance duo Taldans performed one of their earliest pieces, titled Dolap, on Thursday at the Experimental Media and Performing Arts Center. Mustafa Kaplan and Filiz Sizanli make up the group, which was formed in 1996, the duo choreographed Dolap in 2000, and Thursday evening's performance was an example of the cumulative effect of working on a single piece for nearly twenty years. Dolap was the kind of piece that excited the audience with the dancers’ physicality and trust in each other. It lent itself to many interpretations and plenty of discussion, especially regarding Taldans’ strange choice of prop: a refrigerator.